![]() ![]() ![]() We had to figure out a way to subtly crank open the bars as we pushed into the scene. In the opening shot we really wanted to push all the way through the prison bars without having to shoot the foreground as a separate element. Trying to get as many elements in camera as possible. Turns out that the color pink, when shot in black and white, becomes a deep shade of gray. #DRAGONFRAME STOP MOTION SOFTWARE REDDIT HOW TO#We studied productions notes from black-and-white shows like The Munsters and The Addams Family to understand how to use color to create rich gray tones. Using the laser cutter as the main set construction tool helped a lot to maintain a 2D feel and capture the linear quality of the production design. This dark genre has been done before in stop motion, so we focused on getting the look to be unique. I wanted to make something that felt fresh. What were the creative challenges of the project? The textures and tangibility of practical sets and characters are really arresting and doing it in black and white makes the viewer focus on those details. Stop motion just seemed right for the story in terms of atmosphere and capturing an intentional theatrical feel. The sets were designed to reflect that same flat, skewed aesthetic. We squashed his form into something rather flattened and kind of 2.5D. The main character, Klaus is inspired by Cubism (mostly Picasso). But I was also inspired by my love of prison break films such as Escape from Alcatraz, I Was a Prisoner on a Chain Gang, and Papillon. I was inspired most directly by the silent German Expressionist films such as The Cabinet of Dr. Footage was shot at 24 frames per second (fps). Each was hand-painted and clothed before making it onto the stop motion sets. #DRAGONFRAME STOP MOTION SOFTWARE REDDIT FULL#The sculpts were then cast and molded into dimensional, movable characters with full armatures inside. The puppets were sculpted in clay from concept designs. I wanted to create a unique, funny short that pushed the look and a style into something unlike anything the studio had done before.Įach layer of the sets were laser cut and then assembled and painted by our in-house fabrication team. Photographed in rich black and white, the ambitious in-house film follows the studio’s wildly successful 2015 CG short “Tale of Momentum & Inertia.”Īaron Sorenson: Jailbreak was created through HouseSpecial’s Short Stuff program – we imagine, develop and produce short films by us for us. Stash is excited to present the online premiere of “Jailbreak,” House Special director Aaron Sorenson’s light-hearted, stop-motion wink to German Expressionism. ![]()
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